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CHAPTER 04 PRELIMINARY VOCAB & TERMS

-Cycladic Figurines painted and proportioned

– Heinrich Schliemann and he discovery of Troy- “Treasure of Priam ” Using ancient literature to discover Bronze Age sites

Sir Arthur Evens- Island of Crete- Knossos-Minoans-King Minos, the Minotaur 

-‘Palace’ architecture and advances

-Bronze age quest for tin and copper and the trade in murex dye- the royal purple

– Linear B and Linear A Tablets the palace ‘file cabinets’

-Pithoi-Bull Jumpers Seasonal Harvest Rituals, Lunar Calendar?

Bull Head rhyton-”Spring Fresco”

– ‘ Potina ’-Snake Goddess Iconography relating to earth, mountains and regeneration

-Poppy priestess 

-Hermes’ Caduceus- snake in a stick!

– Hagia Triada Sarcophagus with rites and emblems of the goddess

– Double-Bitted Axes Rosettes, Bull Horns and Doves and the origins of the ‘labyrinth’ 

– Gypsum Throne and Griffins

-the volcanic explosion on Thera and the Tsunami following in its wake

-occupation by mainland Mycenaeans and effects on architecture

– Pottery- Marine Style

–    Mainland Greece and Lions Gate Mycenae

– Shaft Tombs- Golden mask of “Agamemnon”

–Megaron (great hall) at the Mycenaean Palace of Nestor at Pylos

– “Beehive” Tombs- Treasury of Atreus

Chapter 5-Preliminary Ancient Greece Vocabulary

Periods: Geometric (c. 900-700 BCE)

Archaic (c. 600-480 BCE)

Classical (c. 480-320 BCE)

Hellenistic (c. 320-30 BCE)

-Pythagorean Philosophy: Basic Forces of nature and form may

be expressed through the language of mathematics, 

Pentagon: symbol for the Pythagorean Brotherhood 

-Geometric Pottery: Funerary vases or ‘craters’ painted

with continuous horizontal bands of meanders, triangles

and wavy zigzags. Zones are divided by neat triple lines. 

-Archaic Period: Homer’s Iliad (Trojan War) and the Odyssey

(Odysseus trip home to Ithaca), Hoplite Phalanx 

Greek & Phoenician Alphabets, Black

Figure Pottery with incised lines for detail

-Orientalization: Eastern influence on

Sculpture and iconography

-Archaic Sculpture: Male Kouros: stiff upright

pose, clinched fist and advanced left foot

-Female Korai

Doric vs Ionic Columns

Column: shaft, capital, volute, base, fluted grooves, Entasis (swelling) 

-Architecture: Frieze, metope, triglyph, pediment, stylobate

-Classical Red Figure Pottery-painted detail

-Red vs Black Figure Pottery

-Acropolis & Parthenon: West Pediment-Athena’s defeat

of Poseidon in a contest for the allegiance of the Athenians.

West Metopes: Defeat of the Amazons

Erectheum: the Reliquary of Athens, Caryatids columns

-Classic Sculpture: ‘Contrapposto’, Polykleitos  Harmonic, 

Ideal Proportions based on the human body,  phi-the Golden ratio 

The Pythia- The Virgin Oracle of Apollo at Delphi, Treasury of Athens 

-Alexander the Great: Hellenistic Art-realism, movement, 

expressions of emotion, mosaics 

Chapter 07-Preliminary Vocabulary for Ancient Rome

Aeneas son of Venus Flight From Troy, colonizes Italy

•‘Capitoline Wolf’: Governmental Totem n coinage, twin Kings Romulus and Remus

•The Appian Way-Rome’s information and supplies highway connecting all parts of the Empire

•Pompeii, Vesuvius entombed in ash 79 CE-entire city as an artifact preserves 

•Architectural Innovations: Arch and Barrel Vaulting (Sanctuary of Fortuna Primigenia), invention of concrete

•Roman Deep Relief Sculpture, Multi-layered with crowded figures 

-Floor Mosaics with stone Tesserae

• Rome’s Rise to greatness: The Punic Wars, Battle of Syracuse and the adoption of all things Greek

•Roman Influences: Combination of Greek and Etruscan Styles.

Adoption of Greek Ionic Columns into Corinthian Columns: capitals decorated with acanthus leaves and scrolls. 

Verism-art of everyday, Portrait busts  of elites showing real characteristics and personalities 

•First Triumvirate, End of the Republic, the assignation of the General/Dictator Julius Caesar 44 BCE, Rise of the first Emperor Augustus, Rome is now an Empire ruled by one man

-Differences between Greek and Roman Temples: Raised Podium, Frontal access only, pillars on front and sides, made with brick and concrete 

•Imperial propaganda, Augustus portraiture and personality cult:  emperor with the pose, accouterments and costume regalia containing ideological messages. A Mix of Veristic and Greek portraiture–Canon of Polykletios invoked, Augustus’ breast plate: personification of territories, connection to Julian family and Venus

•Hadrian’s Pantheon: Aggripa’s Temple remade, Egyptian Corinthian columns, concrete dome-oculus

•Roman Forum Magnum: center of government and public life.

•Constantine Emperor (272-337AD) decriminalizes Christianity, builds a new Roman Capital in  Constantinople

•Public Propaganda Arch of Titus/Constantine: honoring the emperor and his conquests; Trajan’s Column-Defeat of the Dacians

•Roman Basilica and its influence on modern architecture of church and state

•Basilica of Constantine-Colossal Statue of the emperor

•Greco-Roman Fayum mummy portraits: encaustic (wax) painting and egg-based tempera giving fleshy realistic tones to the portraiture 

Preliminary Terms Chapters 08-09 Early Christian & Byzantine Arts

•Constantine Emperor (272-337 CE) decriminalizes Christianity, Edict of Milan (313) marked the end of the persecution, he builds a new Roman Capital in Constantinople, Church of the Holy Sepulcher in Jerusalem and the Vatican Basilica over Peter’s Grave.

•Emperor Theodosius I, issued an edict that established Christianity as the state religion.

•Basilica of Constantine-Colossal Statue of the emperor.

-Chi and the Rho Greek Letters-‘In Hoc Signo Vinces!’

•Emperor Justinian (527-565) responsible for the high point for Byzantium’s territorial expansion. Rebuilds Hagia Sophia Cathedral-The Pendentive Dome.

•Ecclesiastical Art expresses religious concepts to legitimize the power of the State. Justinian Mosaic (547 CE) , San Vitale, Ravenna Italy

Appropriation: adopting old characteristics and making them new.

Extreme Censorship is Iconoclasm: Destroying Images in the name of Spiritual/Political Purity.

•Early Christian Basilica (1) nave, (2) aisle, (3) apse, (4) transept, (5) narthex, (6) atrium. 

•The Vatican Necropolis lies under the Vatican City, Bones of Saint Peter

•Sol Invictus “Unconquered Sun” 

•Mosaic from tomb “Cristo Sole“

-Council of Nicaea 325 CE, Christ declared the Pantocrator-ruler of the universe-the elder bearded image of Christ is favored.

•By 4th Century the Codex-Book is born as Illuminated Manuscripts

•ICON- any representation of a sacred personage, produced in many media and sizes’

•The Grammar of The Icon: Frontality, Faces with large, almond-shaped eyes, enlarged ears, long thin noses, and small mouths, a disregard for natural perspective, impressions of flatness, Inverted perspective  showing multiple points of view, Events depicted taking place inside a building, figures are placed outside, several moments of the story in one scene, shows no natural source of light Only the the ‘inner’ light of the via halos, Colors are symbolic of spiritual values

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